![]() (1928), and The Cameraman (1928), remain highly regarded. He then moved to feature-length films several of them, such as Sherlock Jr. Cline, Keaton made a series of successful two-reel comedies in the early 1920s, including One Week (1920), The Playhouse (1921), Cops (1922), and The Electric House (1922). Working with independent producer Joseph M. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur." In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema. In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that "More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. ![]() Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". ![]() He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Joseph Frank " Buster" Keaton (Octo– February 1, 1966) was an American actor, comedian, and director. ![]()
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